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DRACULA'S LONELINESS acquires real dimension, because after he has obliged us by providing a series of lurid thrills, we pull out on him too. And he goes knowing that he'll be back, that you can't keep a good man down, that you can't put a stake...

Author: By David B. Edelstein, | Title: Staking the Wild Vampire | 7/31/1979 | See Source »

Noyce not only pins Maguire with a heavy fictional load--a complicated if uninspired romantic life, three kids, and professional rivalry--he demolishes him by adding a further dimension of newsreels. Weaving together the large-than-life dramas of actual newsreels with the mundane existence of Maguire and his fictional...

Author: By Katherine P. States, | Title: Between the Idea and the Reality | 7/17/1979 | See Source »

Romero's artistic glory is his ability to add a further dimension. He gives us our fun and then holds up the mirror so that we can see the blood dripping from our lips. Towards the end of the film, when a militant hippie motorcycle gang invades the shopping mall...

Author: By David B. Edelstein, | Title: The Beast in All of Us | 7/3/1979 | See Source »

THROUGHOUT the silent film era, comedy was one of the most cinematic genres due to the tremendous visual dynamism of slapstick. With the advent of sound, film comedies became merely photographic recordings of funny dialogue and burlesque situations which could be effectively mounted on the stage. Even comedies of the...

Author: By Vlada Petric, | Title: A Renaissance Of American Film Comedy | 6/25/1979 | See Source »

...MOST COMMONLY-USED model in applications is the "cusp," a three-dimensional structure dependent upon two variables or "control factors" with a third dimension, the "behavior axis," displaying the subject's reaction to these two factors...

Author: By Peter M. Engel, | Title: The Topology of Everyday Life | 5/14/1979 | See Source »

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