Word: diminuendos
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Dates: during 1960-1969
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What follows is diminuendo. Ray and Alice remarry and, in a wedding ceremony of empty celebration, realize that the dream is finally and forever dead. In the film's shattering last scene, Alice stands alone on the church steps, her bridal veil blowing in the winter wind as Arlo's voice is heard on the sound track quietly singing the song's refrain: "You can get anything you want /At Alice's Restaurant / 'Ceptin Alice...
...experience. By week's end, 168 towns and cities had echoed to the crash of brick through window glass, the crackle of the incendiary's witch's torch, the scream of sirens and the anvil chorus of looters. Yet one sound was remarkable in its very diminuendo. The fierce fusillades of gunfire that exacerbated the disorders of years past were heard only rarely last week. And considering the specter of anarchy looming over every U.S. city, the nation weathered its April agony with remarkable aplomb...
...favor of microphones and amplifiers, others-Lukas Foss, Gunther Schuller and the Russian Edison Denisov-find within orchestral resources the means for flying just as high. Denisov, the first composer from the recently surfaced Russian avant-garde to find his way to records, builds his six-minute Crescendo e Diminuendo by offering the conductor a series of short, disconnected blocks of string tones that he can put together in whatever order he wishes. In his ten-minute Phorion, Foss produces an authentic and horrifying piece of camp by turning a Bach prelude inside out and scattering its bones around...
...pianists, is also remarkable for its sanity, directness and healthy emotionalism. Beyond that, he possesses an elegance of tone that is the envy of the profession. With a combination of pedal, touch and heart, he sings his way into the poetic soul of the music. He can take a diminuendo passage and without spoiling the line, make it grow progressively softer while articulating each note straight to the back row of the hall. That a piece of percussive machinery like the piano can be made to produce such distinctions in tone is nothing short of miraculous...
Milhaud conducted sitting down, but with burly authority. The score opened with a fast descending scale on the strings joined by the brassy blare of trumpets. Four stark downbeats on the kettle drums were omens of doom. Cracking fortissimos rapidly fading to a whispered diminuendo, an accumulation of dissonant agonized tones, a carefree pastoral legato phrase, and a lamenting melody on a reedy oboe vividly characterized the fateful day in Dallas and the President's oblivious ride to his death...