Word: dimitris
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...call it quits after eleven years with the Minneapolis Symphony, plans to spend the next two or three years as a freelance conductor, mostly in Europe. A vigorous orchestra builder (he virtually remade the Dallas Symphony between 1945 and 1948), Hungarian-born Dorati took over the Minneapolis from Dimitri Mitropoulos in 1948, extended the orchestra's repertory and season, but now feels that he can push the orchestra no further. Says Dorati blandly: "An artist of my caliber-and I am one of the best-must always be building." Replacing Dorati in Minneapolis is Polish Conductor-Composer Stanislaw Skrowaczewski...
...supplied an even more fitting tribute when he appeared in a new production of Simon Boccanegra, in which he had made his little-noticed debut 21 years ago. Last week's revival (the first in a decade) benefited from some magnificently colorful sets, the muscular conducting of Dimitri Mitropoulos and fine performances from most of the cast. But the opera was chiefly Warren's, and during the denunciation of the villainous Paolo in the famed Council Chamber scene, he sent his great mahogany-hued voice soaring over the orchestra with a power and blazing passion that made...
...your cinema critic perhaps a bit severe in calling Dimitri Tiomkin "probably the world's loudest composer" and stating that his music for the documentary film, Rhapsody of Steel, "bangs away on the sound track like a trip hammer" [Feb. 1]? Actually, the music for Rhapsody of Steel covers a wide dynamic range, with a substantial proportion of subdued effects...
...baton. Now, in the centennial year of his birth, the musical world is taking a fresh look at the last of the great Austrian symphonists. A spate of anniversary performances was inaugurated last week by the New York Philharmonic, playing Mahler's Fifth Symphony under Guest Conductor Dimitri Mitropoulos...
Another story was Cavalleria, in a kind of performance that would have done well in a provincial Italian opera house. Dimitri Mitropoulos, when he was not drowning out the singers with his orchestra, conducted as if afflicted by an overdose of Miltown. Soprano Zinka Milanov found her still-beautiful voice crumbling around the edges. Allowances are customarily made for inept acting in prima donnas, but Diva Milanov plunged beyond the point of tolerance as she flung herself about the stage clutching her ample midriff. She provided a fine argument for bringing back Callas at all costs...