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Word: dimitry (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Many a Hollywood movie lacks a real theme, but practically every movie these days has a theme song. The man on top of the trend is Dimitri Tiomkin, a 54-year-old concert pianist turned composer, who made a deep impression on the industry and the rest of the U.S. with one folksy tune: Do Not Forsake Me, Oh My Darling (from High Noon...

Author: /time Magazine | Title: Cinema: Theme Song | 9/14/1953 | See Source »

...this business," says Tiomkin, "they begin to follow with these ideas. First Dore Schary called on account of High Noon and said. 'Dimitri, I need song from could be good infantry march.' " Tiomkin wrote Take the High Ground and Hold It for MGM's Take the High Ground. Then he composed the theme for Return to Paradise...

Author: /time Magazine | Title: Cinema: Theme Song | 9/14/1953 | See Source »

...Samoa. Unlike many other Hollywoodians at large in the South Seas, Director Mark Robson never permits his camera to leer at the native girls as if they were so many Dorothy Lamours, but tells the story with a simple directness that matches the islanders' disarming ways. And Composer Dimitri Tiomkin has written a haunting melody that should do as well as his High Noon theme on the juke boxes, even if it is not up to South Pacific...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 20, 1953 | 7/20/1953 | See Source »

BEST CONDUCTOR: 1) Arturo Toscanini, 2) Dimitri Mitropoulos, 3) Charles Munch...

Author: /time Magazine | Title: Music: Classic Popularity | 6/1/1953 | See Source »

Last week the Herald Tribune's shy, scholarly Critic Arthur Berger, 40, took his biggest leap: his Ideas of Order, a twelve-minute orchestral piece inspired by poems of Wallace Stevens, got its premiere from the Philharmonic-Symphony, conducted by Dimitri Mitropoulos. The music had Stravinsky-like touches: nervous rhythms, clean, cool sonorities, a three-note theme scattered among instruments and pitch levels. But, in the richness of sound and in the three brief but searing climaxes, it was clear that Berger had a style...

Author: /time Magazine | Title: Music: Critical Composer | 4/27/1953 | See Source »

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