Search Details

Word: dimmed (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
Sort By: most recent first (reverse)


Usage:

...runaway rollercoaster of one-liners, reminiscences and digressions. The play careens wonderfully through history and facts. John Wood, as the protagonist Henry Carr who knew Joyce and Lenin, is simply magnifificent; Stoppard wrote the play with him in mind. The other actors are at least competent, but dim in the light Wood casts. Although the serious theater-goer may say this isn't drama--too flashy, its characters lacking in depth--it is a fascinating and entertaining evening. All to make the point that art, after all, is for art's sake, and revolution, well, it's for people...

Author: By Chris Healey and Diane Sherlock, S | Title: STAGE | 3/10/1977 | See Source »

...Carney and Tomlin elevate it. Carney may forever carry around like some prominent and embarassing tattoo his association with the hyper, dim-witted character of Ed in The Honeymooners. But here, like in Paul Mazursky's Harry and Tonto, he sheds that goofball image for a gritty grand-fatherliness. Tomlin is Tomlin, meanwhile: sensitive, talkative and--with all her blather about vibrations and kharmas--very, very funny. Yet what makes their two characters engaging and moving is the way they work together. If not a natural team, they both have become real pros and know how to make the audience...

Author: By Mark T. Whitaker, | Title: Dyspepsia and Dark Alleys | 3/5/1977 | See Source »

...played by James Booth), and Tristan Tzara, the Dadaist artist. While on orders from London to keep an eye on the Bolshevist Lenin, Carr finances Joyce's theater troupe in a performance of Ernest, for which Joyce promises him the lead role. After the opening library scene, the lights dim and the spotlights come out on Carr, an old man in a housecoat who sets the scene and reminisces about the old days in Zurich. The play, but especially this scene, showcases the talents of John Wood, who is superb in the role of Henry Carr. Wood's opening monologue...

Author: By Joseph Dalton, | Title: Pulling Out All the Stops | 3/3/1977 | See Source »

With Harvard's chances starting to look dim, all of these four matmen came through for coach Johnny Lee. Bordley made the mat a very uncomfortable place for his foe, romping 14-1. D'agostino, who insists on taking chances against everyone he wrestles--one of his pins this year came when he was behind 8-2--got into another wild brawl but came...

Author: By David Clarke, | Title: Crimson Wrestlers Tip UNH, but Icemen Falter | 12/16/1976 | See Source »

...eyesight was bad, but he would not wear glasses. He used a number of magnifying glasses that he called "my peep-stones," one of which had a battery-powered light for use when the dim-lit bedroom was too dark. Except for rare occasions, he spurned his collection of hearing devices. "He could understand if you stood face to face and talked loudly," Stewart says. "But often he would say, 'Aw shit, write...

Author: /time Magazine | Title: The Nation: Scenes from the Hidden Years | 12/13/1976 | See Source »

Previous | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | Next