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Little Women gently but firmly asks us to penetrate its 19th century disguises and discover something of ourselves hiding in the dim past. There has always been a kind of awkward exuberance in the way this story looks life straight in the eye and sweetly, soberly embraces its basic experiences and emotions. It is this unspoken moral strength, which is not to be confused with the vulgar, politicized moralism of our time, that permits it to transcend its gentilities of expression and its lack of structural grace. And grants this lovely cast, these intelligent and passionate filmmakers an unlikely triumph...

Author: /time Magazine | Title: TRANSCENDENTAL MEDITATION | 2/13/1995 | See Source »

...pricey option, the rear-view, self-adjusting, electrochromatic mirror that protects the driver from the glare and intensity of headlights behind him, has already been installed on 5 million cars. Working on an extension of the same technology, Gentex, which developed the mirror, is testing auto glass that will dim at the flip of a switch to protect against sun glare and become completely opaque-to thwart prying eyes-when the ignition is off and the car is unoccupied...

Author: /time Magazine | Title: SMART'S THE WORD IN DETROIT | 2/6/1995 | See Source »

Left behind in the former heartland of European Jewry were 2 million, the dim shadow of a once vibrant community. Many were the elderly who could not face or afford the rigors of emigration. But most were the assimilated children, grandchildren and great-grandchildren--generations so thoroughly absorbed and secularized that their Jewishness seemed to consist of little more than distinctive surnames and distant memories...

Author: /time Magazine | Title: MORE THAN REMEMBRANCE | 2/6/1995 | See Source »

Araki shot the movie on location, with no permits and a minimal crew. The gritty starkness of the scenes gives the movie a sincere, authentic feel. When the six friends go out to a nightclub, Araki uses the dim, reddish lights, loud generic music and their encounter with two guys in drag to convey the raw alienation of the kids...

Author: By Roland Tan, | Title: F***ED UP | 1/20/1995 | See Source »

...here's a happy scene: a dozen glamorous models wearing cherry-red smocks are cooing contentedly in a dim room, hunched over Virtual Boy, Nintendo's long-awaited, low-cost virtual-reality rig for Everyman. Or Everyboy. Or Everygirl. Whatever. The women are learning how to demonstrate it, fooling around with a prototype of a boxing video game. ("Face down in the goggles, please. That's it. Click here to throw a right, there to throw a left, and don't forget to duck!") But hurry. It's 7:30 a.m., and the wide glass doors are about to swing...

Author: /time Magazine | Title: A Mighty Morphing | 1/16/1995 | See Source »

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