Word: dimwits
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When the bloom was on the roads, the American who would not-or could not-drive a car was dismissed as a sponger or a dimwit, doomed to a life of dependence on alien wheels and, quite likely, celibacy. The nondriver was a rara Avis (though he could not rent one), akin to the kiwi, a bird that cannot fly. In a country that relies so heavily on the auto for its bread and butter and most of its honey, he was seen and often scorned as a kind of self-decreed cripple...
Glenda Jackson holds her sometimes blatant screen presence in check and plays her devious role just right -that is, absolutely straight. Her haughty deadpan shades imperceptibly into sanctity or into sanctimony as her plotting requires. Sandy Dennis has some moments of dimwit charm as a John Dean-like scapegoat who has none of Dean's shrewdness, or anybody else's either. But a running gag in which a globetrotting diplomatic nun (Melina Mercouri) periodically uses her briefcase radio-phone to coach Jackson in Kissingeresque Realpolitik falls rather flat. And the Gerald Ford figure is a football-playing...
...Lockheed Aircraft and the nephew of Terence O'Neill, the former Prime Minister of Northern Ireland. Most are businessmen, bankers or gentlemen farmers, living, if not in castles in Spain, on the palpable hope of restoration as well as on decent incomes. Not one appears to be a dimwit, a dinosaur or a debauchee or even a gossip-column item. Perhaps the one who conies closest to being a gay blade is Prince Louis-Ferdinand, 66, grandson of Kaiser Wilhelm II and claimant to the empire of Germany and the kingdom of Prussia. The prince once had a torrid...
...show business; of cancer; in Hollywood. Wilson's bosomy innocence won her a Warner Brothers contract at age 15, and she started a series of forgettable films (Boy Meets Girl, Never Wave at a WAC) that established her stereotype. She attracted a national audience as the lovable dimwit in My Friend Irma, first on radio, then in two movies and finally for two years on television...
...arte, from which Shakespeare took the five low-comedy figures that Berowne ticks off as "The pedant, the braggart, the hedge-priest, the fool, and the boy." Respectively, Holofernes corresponds to the dottore, Armado to the capitano, Nathaniel to the pantalone and parasite, Moth (a wit) and Costard (a dimwit) to the comic servants (zanni). But it seems that Shakespeare also had in mind here poking fun at such now-forgotten men as Thomas Nashe, Gabriel Hervey, and John Florio...