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Snake Sutton is a hard-muscled, sensitive, moral dimwit who climbs, tooth & nail, from social dereliction (a childhood among swamp Negroes) to the throat-cutting peak of local business and society (a timber firm of his own, a blueblood marriage). Then he goes back again. On the way up, he has an affair with a bordello keeper (part real, part Hollywood) and a fascinating raftsman's apprenticeship to a gigantic veteran of the rivers. He is the center, also, of some superb fights, crooked and raw deals, and river adventures...

Author: /time Magazine | Title: Books: Men From the South | 8/10/1942 | See Source »

...surviving comic strips that are really meant to be funny is Segar's Thimble Theatre, starring Popeye. Thimble Theatre's first cast consisted of gawky Heroine Olive Oyl and her dimwit brother Castor. They straggled along for ten years before Castor Oyl one day in 1929 encountered Popeye on a dock. Cried Castor: "Hey, are you a sailor?" Said Popeye dourly: "Ja think I was a cowboy...

Author: /time Magazine | Title: The Press: Successful Sailor | 10/21/1940 | See Source »

...that Very Warm for May lacks "ideas." Rather, it is swamped by them. Providing an elaborate burlesque of summer barn theatres, with their mauve-tinted playwrights, dimwit patronesses and clod-like performers, it lunges wildly in every direction. It jazzes up Freud, mimics Dali, writhes and wriggles, gambols and glides, rains schottisches, streams gavottes, blows ballets. The atmosphere, at its thickest, is very warm for mayhem. The whole thing suggests perfectly the hysterical side of summer theatres, but doesn't turn the funny side into laughs...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Nov. 27, 1939 | 11/27/1939 | See Source »

...Syracuse is no mere Who's Whooey. Every one knows his job. Every cook makes a contribution to the broth. Playwright Abbott provides a sound book (least brilliant part of the show) ; Director Abbott, whirlwind direction that keeps it moving, moving, moving; Comic Jimmy Savo contributes wild-eyed dimwit mischief; Fat Girl Wynn Murray, dishpan antics and Amazonian sex threats; Lorenz Hart, brash, bawdy, witty lyrics (best line: She was so chaste that it made her very nervous); Rodgers, a gay, bright lilting score, never better than it is in This Can't Be Love, Sing for Your...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 5, 1938 | 12/5/1938 | See Source »

...Octopus (First National). Hugh Herbert and Allen Jenkins as a pair of dimwit sleuths come to death-grips in a lighthouse with an underworld menace known as The Octopus. Lost documents, a character using a hook instead of a hand, secret stairways, octopus tentacles and poison gas are handled in pseudo-mysterious manner, sometimes reminiscent of George M. Cohan's famed burlesque, The Tavern, sometimes just good-natured hokum...

Author: /time Magazine | Title: Cinema: Also Showing | 12/20/1937 | See Source »

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