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They always lived simply, Chiang Ch'ing said of Mao and herself. Most of their time was given over to reading, study of current events, writing, and occasional involvement in the world outside. Rarely did she and the Chairman go out together. Almost never did they dine out for their own pleasure. Since they made their home in Peking, they went to restaurants (a pleasure of her younger days) only a few times. The Chairman was not very careful about what he ate, she admitted with a wry smile. He ate quickly, and was usually full by the time...

Author: /time Magazine | Title: Special Section: Comrade Chiang Ch'ing Tells Her Story | 3/21/1977 | See Source »

...Massachusetts Restaurant Association, which is also supporting the 3 per cent reduction, said that the passage of the bill would encourage more persons to dine out and the increased restaurant revenue would offset the lower tax rate...

Author: By Gregory M. Lewis, | Title: Meal Tax Foes Champion Five Per Cent Reduction | 3/3/1977 | See Source »

Garden Shears. The robe is not a completely new motif for Dine. It goes back to 1964, when he saw an ad illustrating one in the New York Times. "There was nobody in the bathrobe," he later remarked, "but when I saw it, it looked like me. I thought I was in it." It became, in effect, a kind of self-portrait without the self, with the slightly eerie aspect of a snake's shucked skin. The bathrobe in Dine's new paintings confronts the eye with a proprietorial air, the folds straight and columnar, the sleeves akimbo...

Author: /time Magazine | Title: Art: Self-Portraits in Empty Robes | 2/14/1977 | See Source »

...first impression is of peach-fuzz abstract expressionism-big, suave, one-color surfaces. But the sunset colors -mauve, rose, gray and a rich ecclesiastical red-are neatly tuned by Dine's drawing, which gives exactly the right definition to the edge of a sleeve, the correct visual weight to the shadow in a fold. It is beaux-arts drawing applied with a kind of gentle irony to the ma trix of abstract-expressionist style. Dine's older paintings of robes in the '60s were done with acrylic and house paint; they had the "industrial" look common...

Author: /time Magazine | Title: Art: Self-Portraits in Empty Robes | 2/14/1977 | See Source »

This is not an easy exhibition to shake. The robes stick in the memory like apparitions, benefiting from the Romantic imagery of cowled monks and stalking mummies to which they allude. As painting, they are the most authoritative images Dine has yet produced. The whimsy of his earlier work has boiled off at last...

Author: /time Magazine | Title: Art: Self-Portraits in Empty Robes | 2/14/1977 | See Source »

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