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Word: diner (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

FESTIVAL OF GAS. Its blue and green color scheme is one of the coolest sights in the industrial area. From the glass-walled room, the diner can look out over a flower-sprinkled moat while enjoying such entrées as compote of squab, tender loin flared in bourbon or baked country...

Author: /time Magazine | Title: The New York Fair: Jul. 31, 1964 | 7/31/1964 | See Source »

HOUSE OF JAPAN. Shoeless, seated at a low table, the happy diner is served hot sake, then a kimonoed doll of a waitress kneels and cooks sukiyaki. Meanwhile, entertainers in the colorful costumes of samurai, geisha and fishermen dance every thing from kabuki to the twist, and an Oriental chanteuse, Momotaro Akasaka, sings sonorous torch songs...

Author: /time Magazine | Title: The New York Fair: Jul. 3, 1964 | 7/3/1964 | See Source »

TOLEDO. The Spanish pavilion's posh pad is not for hoi polloi, but it has the best food and service at the fair. An armada of waiters hovers around to keep the diner happy. Though the Toledo specializes in fine French cuisine, it will cheerfully give you the works in Spanish too. Start with an andaluza, follow with gazpacho soup (muy bueno) and fill up on paella. Don't forget the sangria, a red wine with soda...

Author: /time Magazine | Title: The New York Fair: PAVILIONS | 6/19/1964 | See Source »

FESTIVAL OF GAS. Its blue and green color scheme adds to the cool beauty of the glass-walled room, from whence the diner can look out over a flower-sprinkled moat. For an appetizer, the soft clam pan roast is hard to beat; it is best followed by tasty mignons of tenderloin flared in bourbon or stuffed broiled lobster and wilted dandelion greens with bacon. Fine fare at Fair prices, which means quite high indeed...

Author: /time Magazine | Title: The New York Fair: PAVILIONS | 6/19/1964 | See Source »

Between courses, in truly Lucullan meals, the diner may be served a bit of sherbet "to refresh the palate." Yet in feasting on art, the viewer usually plunges from room to room, and his retinas, unrefreshed between rich courses, cry for cool relief. Such, at least, seems to be the art-gastronomy theory of José Luis Sert, dean of Harvard's Graduate School of Design; as the architect of a new museum in the south of France, he solves this and a number of other gallerygoers' problems...

Author: /time Magazine | Title: Art: Sert on the Riviera | 8/16/1963 | See Source »

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