Word: dinesen
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...lurches from tantrum to euphoria and back again, but he praises her meticulous observations of animal life and her unceasing struggles with poachers and politics as she fights to save the mountain gorillas from extinction. Her Africa is not the ordered master-and-servant backdrop of Isak Dinesen's tales. Three French visitors make a wrong turn on a back road and get fatally detained by Congolese troops. Fossey angrily tells her family, "They were reportedly tortured . . . hung on racks, finally eaten. The Congo can't be covered by the press, like Vietnam, thus no one knows what really happens...
Beryl, as everyone called her, spent money when she had it and ran up bills when she did not. In important matters, which meant clothes and horses, she went first-class. She had women friends -- Karen Blixen (Isak Dinesen) was an early protector -- but she liked men better. Her maternal instinct was fitful at best, and her appetite for casual sex made uproarious disarray of her marriages. Blixen once wrote of her own husband Bror (who became Beryl's occasional bedmate) that "he looked down benevolently and lasciviously upon womankind and had been raised to believe that the entire world...
...Isak Dinesen...
...double irony that Isak Dinesen, who hid behind pseudonyms and coveted the Nobel Prize, is currently better known for her life than for her art. For the film of Out of Africa was itself a masque. The romantic figure played by Meryl Streep was a woman of action. In fact, the writer was a great solitary who tried to work out every moral conflict at her desk, in tales, letters or learned analyses. In 1923-24, for example, she made her famous and tortured marriage to Bror Blixen and her doomed affair with Denys Finch Hatton the subjects...
Even so, many of the great Dane's stories have remained in the repertoire because, as Isak Dinesen once observed, he "can be so indescribably simple and touching . . . he is a great magician." Andersen's grandest illusion takes place in The Ugly Duckling (Knopf; $10.95). Illustrator Robert Van Nutt begins by using a primary-school palette. But as the duckling sheds its down and acquires an elegant neck, the dominant hue changes to a formal white, reflecting Andersen's change of mood. The story is sometimes read as a revenge play, but Van Nutt makes it clear that he regards...