Word: dinn
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These fathers try to seal the deal on their invented Montague-and-Capulet setup by hiring the bandit El Gallo (Marty Dinn ’03) and his swashbuckling, scene-stealing cohorts Henry and Mortimar (Thomas Odell ’05 and Neil G. Ellingson ’05). El Gallo and associates stage the rape of Luisa and her rescue by Matt. As planned, when Matt saves his damsel in distress, the two fall more deeply in love, and the fathers find themselves with an opportunity to end their public feuding—for who could hate the father...
...show’s end, it’s hard to say whether the crowd favorite was the pair of young lovers, their fathers, the Henry-Mortimar duo or the talented Martin Dinn as El Gallo. In fact, the cast got it right in this all-around well done, fun show—and it’s well worth the trip out to the Loeb Experimental Theater...
...spiritual odyssey which lies at the heart of Davita's Harp begins one summer on Long Island. In order to escape the heat of the inner city, Ilana's parents rent a cottage on the beach next door to Anne's cousins, a recently widowed Orthodox Jew named Ezra Dinn and his young son, David. The sounds that come from the Dinn's house during the course of the summer, the Kaddish or prayer for the dead, the morning prayers and Sabbath hymns, catch Ilana's ear while she is sitting on the beach building sand castles or reading...
...NOVEL CLOSES WITH a double irony. After a few years of lonely widowhood Ilana mother marries. Ezra Dinn and is recorded with her past. Ilana Calls 1941 the happiest year of her youth as her news family settles down to a normal life. But just as this newfound happiness appears to keep the events of the outer world at bay and prevent them from invading the hearth the unmentioned yet ever present destruction of European lewry hovers in the background. And just as her mother finally makes peace with the world the male orientation orthodox. Indaism begins to unsettle Ilana...
...musical talent is concerned, it is a good time to indulge in a little crystal gazing about the Continent's younger artists, many of whom will attempt American tours during the next two or three years. Of the pianists in this category, perhaps the most important is Rumanian Dinn Lipatti, a former pupil of Cortot and Stravinsky, who is nearing thirty. Although he is a regular professor at the Conservatory of Geneva, Lipatti has been spreading his rapidly growing reputation by exhaustive tours of Europe. Already an excellent technician, his interpretation of Romantic and Modern music have often been hostilely...
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