Word: dinther
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Dates: during 2000-2009
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Issue four of "Eiland" (Bries; 28pp.; $13.95), by a pair of Dutch artists, Sefan J.H. van Dinther and Tobias Tycho Schalken, doesn't come at you like a comicbook. You push the contents out of an open-ended cover sleeve. Into your lap plops an eight-and-a-half-foot-long piece of shiny cardstock that has been folded back and forth, accordion-style. Each side of the sheet contains a story by one of the artists, which because of the folding, means the book has no front or back and the end of one turns over to the beginning...
...fantasies. Linear moments, like a handsome teacher reaching out to touch a pretty colleague, are interrupted by panels of the girl dancing, until the entire page gets filled with swirling patterns of people in movement. Breaking down time into fragments has echoes in the accompanying story, "CHRZ," by van Dinther. Basically a bullet, a fly, a woman and a crow are going to be in the same place at the same moment. The depiction of that moment from several different angles becomes the story. At one point van Dinther lays out the page so that it can be read left...
...Schalken and van Dinther's "Eiland" and Paul Hornschemeier's "Forlorn Funnies" aren't as easy to read as other comix. But they aren't meant to be. You need to put aside conventional notions of how comix can entertain and accept that the challenge of such works becomes the entertainment...
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