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Whether or not Mathis's assertions are correct, he and a U.S. Embassy official in San Salvador. Mark Dion, quoted in an April 13 Boston Globe article, display a disconcerting lack of familiarity with the claims. Both Dion and Mathis said they knew of no town named Santa Elena near the Honduran border, thus unaware of or ignoring reports which said the massacre also occurred near another town, Hualicela...

Author: By Judith E. Matloff, | Title: Reading Between the Lines | 4/24/1981 | See Source »

...especially Lennon, was big-spirited and lavish, but brought him an unaccustomed critical drubbing. His marriage to Ronnie, lead singer of the Ronettes, broke up in 1973. He was in at least one serious auto accident and underwent extensive surgery and facial restoration. His records after that-albums by Dion and Leonard Cohen, singles by Cher and Darlene Love-were as black as the vinyl they were pressed on. Even the upbeat numbers sounded funereal. The little symphonies became requiems celebrated inside a Wurlitzer...

Author: /time Magazine | Title: Music: Going After the Real Nuts | 3/10/1980 | See Source »

...period of years," says a songwriter who has worked closely with him, "Phil developed certain characteristics -reclusiveness, craziness in the studio -and after a while he let them take over." Adds a young record producer who spent a long and disenchanting night watching Spector thrash around with the Dion album: "His records were great, but he's a mean mother." Spector himself admits to a certain amount of struggling during this time. "Working with Leonard Cohen was more of a writing experience," he told TIME'S Robert Goldstein. "He's not a Lennon or McCartney...

Author: /time Magazine | Title: Music: Going After the Real Nuts | 3/10/1980 | See Source »

...DION BOUCICAULT Directed by RONALD EYRE

Author: /time Magazine | Title: The Theater: Parody of a Parody | 12/30/1974 | See Source »

...should anyone revive this creaky play, the hit of the London stage in 1841? In the chronology of the English comedy of manners, Anglo-Irish Dion Boucicault flounders between the astringency of Sheridan and the epigrams of Wilde. Yet he took a romantic's delight in character. London Assurance is peopled with enough eccentrics to fill the portmanteau of a Victorian novel. Welding this strength to the polished ensemble skills of the Royal Shakespeare Company. Adapter-Director Ronald Eyre has transformed an old chestnut into a parody of what is already a near parody of Restoration comedy...

Author: /time Magazine | Title: The Theater: Parody of a Parody | 12/30/1974 | See Source »

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