Word: dionysians
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...great collision of the generations, the young created their own world, a "counter culture" as Historian Theodore Roszak first called it, and endowed it with the significances and pseudo profundities of a New World. No one had ever had sex before. No one had ever had the Dionysian music, the sacramental drugs, the world struggling back to its protomagical state...
...words. At least half a dozen companies produce a variety of them, including one called Murphy's Law (Price/Stern/Sloan) and others for sports trivia, Bible verses, computer terms, astrological signs and even dirty jokes. The 365 new-words-a-year calendar (Workman) made both lists, with offerings like "Dionysian . . . recklessly uninhibited; frenzied." The success is in the format, says Publisher Peter Workman. "Each day they entertain, surprise and educate, like books you can savor piece by piece over a full year...
...catch Mathias, chunky 6-ft. 1-in. Thompson had to clamber over statuesque 6-ft. 6¾-in. Jürgen Hingsen, the "German Hercules" who holds the decathlon world record. In style and personality the two duelists are a classic study in contrasts. Thompson the Dionysian, Hingsen the Apollonian; the fiery fullback and the shining knight. Thompson, an infectious extravert from a working-class neighborhood of London who blithely chatters away whether or not anyone is listening, treats the field of play as though it were an enormous sandbox. Hingsen performs without wasted motion or emotion, intently striking...
This musical is a cross between a Dionysian revel and an old-fashioned revival meeting. The religion that Hair preaches, and often screeches, is flower power, pot and protest. Its music is pop-rock, and its dialogue is mostly graffiti. Hair is lavish in dispraise of all things American, except presumably liberty. The play itself borders on license by presenting a scene in which half a dozen members of the cast, male and female, face the audience in the nude. This tableau is such a dimly lit still life that it will leave most playgoers yawning...
...only give us a narrow, well-defined text about O'Neill. Rather, he sacrifices a small amount of detail and scope to share with us the cardinal doctrines of O'Neill's philosophy, With this purpose in mind. Berlin is able to use evidence from Greek tragedy. Nietzsche's Dionysian philosophy and Freudian psychology to touch that fog that surrounded O'Neill. Though, as Berlin himself admits, his subject "wrote with a burning intensity that eludes description or analysis," that broadened picture makes the book worthwhile. O'Neill gazed into places where others were forbidden to look, but at least...