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Word: diptych (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...show how he feels "about being black in a racist society," and to preserve "a picture of our struggle for freedom." Much of his work portrays aspects of violence, including riots at home and the Vietnam war abroad. One enormous diptych called "Vietnam/Genocide/America" points up the Negro's ironically similar position in both. In the background of "The Manipulators" (placed in the window facing the street) we see President Johnson and Premier Ky with their arms around each other; and Johnson has to himself one painting titled simply "Killer." Among other paintings of protest are "Grove Hall Nightmare," "Roxbury Rebellion...

Author: By Caldwell Titcomb, | Title: Black Power in Art | 12/15/1967 | See Source »

...that the work was auctioned last March for $26,552 per sq. in. At the sale, it was called a Hubert van Eyck, but the National's curators now attribute it to Rogier van der Weyden. They suspect that St. George is one part of a diptych whose matching half, which also bears the seal of Prussia's former ruler Frederick the Great on the back, is owned by Baron Thyssen-Bornemisza in Switzerland...

Author: /time Magazine | Title: Art: A Rare Twosome | 5/20/1966 | See Source »

...painter of the American Dream, sees the bridge every day from his studio. In homage to the poet he committed it to canvas in a four-faceted diamond filled with silver, singing girders. It is part of Indiana's American-dream theme, as are his Mother and Father Diptych showing his parents stepping into a Model T and his word columns-salvaged sailing-ship masts covered with typical Indiana "dream" words Eat, Hug, Love, Err, Die. Through...

Author: /time Magazine | Title: Art: UPTOWN: may 22, 1964 | 5/22/1964 | See Source »

...University of Edinburgh. Nevertheless, he believes that art should not demand head-scratching analysis. His esthetic is frankly skin-deep, but "its comprehension can be as immediate as a crucifixion." So can his emblems, during these times of integration struggles, that proclaim YIELD BROTHER. His newest work, a diptych called A Mother Is a Mother and A Father Is a Father, returns to the figure, shows a barefoot man in hat and overcoat and a disheveled, barebreasted, scarlet-coated woman, each getting out of a Model T Ford. The figures are Indiana's parents, and the license-plate date...

Author: /time Magazine | Title: Art: Commanding Painter | 5/22/1964 | See Source »

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