Word: directed
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Dates: during 1960-1969
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...politics are closed off, then the intellectuals--young and old alike--will make common cause. Where the older intellectuals share power or see possibilities of compromise, then the intelligentsia will experience the conflict of generations. This "localized" conflict can be more acute. For the sake of revolutionary purity, students direct their tactics against the old liberals who have "sold out to the Establishment!" And since many of them teach at the university, they are easy to surround and threaten...
...Lermontov himself comes into direct conflict with the Czar and must choose whether to run off or to stay for a fixed duel which will make it obvious that he is being killed by the Czar, thus following in Pushkin's footsteps...
...should permit the United States to use general-purpose forces in limited situations with more freedom of action than does the present policy. The Soviets would have to act with more care in supporting wars of national liberation and in pushing world revolution, or in employing direct conventional military pressures...
...tension between art and politics, which is also part of the subject matter of the play, was present in Shea's mind as he was writing the play. If the play is a success, then, it ought to maintain that balance throughout and fall neither into the trap of direct political statement telling people to become radicals, nor into that of a decadent art-for-art's-sake, the two extremes that Shea tries to avoid. The first, he maintains, is usually...
...author discounts any direct influence by a play like Marat-Sade (which he doesn't think is great), though it shared similar concerns and form on the surface. Nor does he agree with Brecht's theory of the theater, though he does use a few Brechtian techniques. He feels much closer to the theatrical ideas of the black theater in New York, and to the political interpretations of Shakespearean plays that Harvard directors like Mayer and Babe have experimented with...