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For example, Societies of the World 32: “The Political Development of Western Europe,” which he took last fall, led him to set Puccini’s Tosca in western Italy. He directed Tosca for the Lowell House Opera in the spring.

Author: By Monika L. S. Robbins, CRIMSON STAFF WRITER | Title: Students Make The Play | 5/10/2010 | See Source »

“I don’t think you can be a serious artist and not be influenced by other arts,” Keenan says, adding that he has found several foreign filmmakers influential—particularly the German director Werner Herzog and Federico Fellini, an Italian filmmaker...

Author: By Tyler G. Hale, CRIMSON STAFF WRITER | Title: Student Writers Reflect | 5/10/2010 | See Source »

Inspiring, magnetic, and daring are words that frequently appear in descriptions of theatrical superstar J. Jack Cutmore-Scott ’10. During his time at Harvard, he has been involved in every aspect of the theater process—he has performed in 14 productions, directed or assisted in...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: Jack Cutmore-Scott ’10 | 4/27/2010 | See Source »

In his four years here, Cutmore-Scott has also been focused on writing and producing original work—three of his own plays as well as the original work of others. In his very first year at Harvard, Cutmore-Scott wrote, directed, and produced “Fall,?...

Author: By Elizabeth D. Pyjov, CONTRIBUTING WRITER | Title: Jack Cutmore-Scott ’10 | 4/27/2010 | See Source »

What happens after “happily ever after”? This is the question that drives “Into the Woods,” directed by Jordan A. Reddout ’10 and playing on the Loeb Mainstage through May 1. In Stephen Sondheim’s...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Into the Woods | 4/27/2010 | See Source »

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