Word: director
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Dates: during 1920-1929
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...first play of the fall, A. A. Milne's "Success", according to an announcement made yesterday. Other members of the production committee are H. F. Hurlbut III '31, assistant production manager; J. H. Melia '30, general technician; G. C. Alexander '30, stage manager; R. H. Thompson '30, lighting director; R. J. Strauss '30, painting director; W. N. Francis '31, publicity manager; D. A. Nathans '30, program manager; and F. W. Thon '31, in charge of make...
Other members at present are the following: E. A. Whitney '17, assistant professor of History, and chairman of the board of tutors in the department of History and Literature: F. J. Ryan '24, publicity director of the Harvard Athletic Association; V. O. Jones '28, former president of the CRIMSON and at present sports writer for the Boston Globe; R. K. Lamb '28, executive secretary of the University News Office; R. A. Stout 1L, former president of the CRIMSON; and Bernard Barnes '30, present president of the CRIMSON...
These men will lecture in City Planning 10a, a course entitled the "Principles of City Planning". H. V. Hubbard '97, Master of City Planning, and director of the school, will have general supervision of the course, which will bring to Cambridge men from all over the country who have done outstanding work in city planning and landscape architecture. Each lecturer will treat some special part of the subject...
...modern art enthusiast than he. Around them were Collectors Duncan Phillips and Chester Dale; Lee Simons, onetime editor of Creative Art (TIME, July 9, 1928); Norman Bel Geddes, jack-of-all-design; William Cropper, arch-rebel draughtsman; Mrs. John Davison Rockefeller Jr.; Editor Frank Crowninshield (Vanity Fair); Director Alfred Hamilton Barr Jr. On the walls were hung 98 canvases by the four "old masters" of modern painting: Cezanne, Gauguin, Seurat, Van Gogh. Many a guest at the opening could well remember the time when these men were not even subjects for polite conversation. There had been unwholesome tales of Gauguin...
Condemned (Goldwyn). There is hardly a scene in this that is not well photographed and Ronald Coleman and Ann Harding act as well as you would expect. Unfortunately, the charm that the director has taken such pains to put into Condemned is wasted because it is inappropriate. Proper picturization of the grim penal colony on Devil's Island* calls for another quality than charm. This bleak little story about a criminal who fell in love with the abused wife of the prison warden could have been made credible only by thoughtful, undecorative realism. Best shot: Louis Wolheim, the toughest...