Word: director
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Dates: during 1920-1929
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...determining forgeries, mannerisms of old artists which cannot be seen on the surface of a painting, and for various other facts in the field of the Fine Arts leave no doubt as to the value of this medium. This was brought out by Professor E. W. Forbes '95, Director of the Fogg Art Museum in his annual report to the President...
...Naturally a large part of the Director's time during the past year has been spent on matters relating to the building. Conferences with the architects have been held frequently, to meet new problems which have presented themselves and which have sometimes demanded a change in plan. The decision was made to build the court--the principal architectural feature of the interior--of Italian Travertine. Early in the spring of 1926 an opportunity arose to purchase a very beautiful, early sixteenth-century French wooden ceiling which had originally been a part of a house in Dijon. This is admirably suited...
...hundred and eighty-two courses, given by 82 Harvard Professors and Instructors in the country, will be given from July 5 to August 14 at the Harvard Summer School. Plans for the 1927 session were announced last night by the Director, Professor A. C. Hanford...
...faith in the Beloved, but so jumbled and incoherent is the scenario that anybody's guess will do. There is a shred about "Honey" (Josephine Dunn), a sweet maid from the country; a leering villain of the Metropolis; a proud, penniless architect. There is also Love Divine. The director displayed on the screen a facsimile of the story in Liberty Magazine on which the film is based, thus proving conclusively that the thing really has a plot...
...Aldo Nuti countermands the precautions. He begs to be allowed to demonstrate his flawless marksmanship, if not his courage. The Nestoroff watches with the rest as they release the tiger and the director cries, "Ready, shoot!" Serafino Gubbio cranks his camera, inside the cage with Nuti. Aldo Nuti aims carefully and shoots, not the tiger, but the Nestoroff. The tiger tears him apart. Gubbio cranks on until someone fires pointblank through the bars into the tiger's ear. He thereby achieves perfection as a cinematograph operator. Emotionless? Oh, no. His suppressed terror strikes him dumb forever after. But except...