Word: director
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Dates: during 1940-1949
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...parent of a schoolchild, and 2) a New Jersey taxpayer. Mrs. Henry O. Klein, ex-Roman Catholic and longtime Secularist, filled the bill for the parent: her 17-year-old daughter Gloria was a student at the Hawthorne High School. Donald R. Doremus, a mechanic of East Rutherford and director of the Secularists of New Jersey, was glad to protest as a taxpayer. With Lawyer Zimel, they filed their case before Superior Court Judge Robert H. Davidson...
Thus, for all Snyder's talk about periodic balances, this policy of writing blank checks has actually put the budget beyond practical control. Budget Director Frank Pace Jr. admitted as much. Said he: "For any given year, it is unpractical to count on achieving any specific goal, whether it is a balanced budget or a pre-determined surplus or deficit." Such items as crop support, in which the expense cannot be totted "up in advance, "can substantially change the surplus or deficit." In short, neither Snyder nor Pace had any idea when the budget would be balanced...
...went 61 paintings by Rubens, Romney, Hobbema and others; when the hammer fell on the last of them, a total of $46,690 had been paid out. On succeeding days there were sales of jewelry once worn by James B. ("Diamond Jim") Brady, paintings and sculpture collected by Cinema Director Josef von Sternberg...
...Director Nicholas (Knock on Any Door) Ray has succeeded in breathing some new life into his hackneyed plot. An escaped lifer (Farley Granger) and his girl (Cathy O'Donnell) hopelessly try to filter through a police dragnet. As their flight zigzags through central Texas, they get their first good view of the world and their first happiness in it. Only rarely, e.g., in a morning shot of Cathy purring glamorously in bed, do they act in tried and untrue Hollywood style. As usual in a cross-country chase, the movie spots its young folks in a grubby motel...
...Granger's cut of a bank robbery and budget their ill-gotten hoard as if they had slaved for it. Working on the notion that bank robbers are a likable lot among themselves and get the same pleasure out of their work as any other skilled craftsmen, Director Ray and Scriptwriter Charles Schnee have served up some fine, entertaining scenes. Their best characters: Howard Da Silva as a one-eyed lush who is outraged over the skimpy newspaper coverage of his bank robberies, and Jay C. Flippen as a hardened robber who has to work overtime to support...