Word: director
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Dates: during 1970-1979
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Mork appeared first when Robin played him in a one-shot appearance on Happy Days. The mail response to the episode was so large that a spin-off series was created for Williams. Mork & Mindy was a hit even before it went on the air. Director Howard Storm recalls the series' first taping: "Most of the time the studio audience for a new show is down. They don't know the characters. With Mork, they went crazy...
...Paris, the opera world's most tantalizing other shoe has finally dropped. The Paris Opera presented the first-ever full-length Lulu, third act and all. To Rolf Liebermann, the Paris Opéra's general director, it was the culmination of a 30-year quest. To Conductor Pierre Boulez, it was belated "justice to a work that has been mutilated." To the black-tie audience of statesmen, artistic leaders, 200 music critics and assorted opera buffs, it was a triumph and, to some, a perplexity...
Berg's libretto, brilliantly compressed by the composer from two works by the German playwright Frank Wedekind, fared less well, and therein lay the perplexity. The production was staged by French Director Patrice Chéreau, 34, who has built a controversial career on the apparent principle that anything worth doing is worth doing outrageously. His avant-garde Ring cycle for the 1976 Bayreuth Festival drew boos and hisses as well as cheers, and is still hotly debated inter nationally by Wagnerians...
...entartete Kunst (decadent art), but thereafter it began to enter the international repertory. Approaches to other composers about finishing the third act had ended inconclusively. Opera managers vied for the chance to present the first complete performance; Liebermann made his first bid in 1950, when he was musical director of Radio Zurich. But they literally did not have a ghost of a chance. Berg's widow and musical executrix, Helene, claimed that her husband's spirit made nocturnal visitations to her in which he opposed completion. (Berg scholars have recently suggested another motive: resentment by Berg...
...luminous performances of Aldredge and Sternhagen make the price of a theater ticket seem paltry. This is the kind of acting that goes into the memory bank of treasured theatrical experiences. Director Craig Anderson never inflates the modest human scale and substance of the work. On Golden Pond makes hearts float and leaves playgoers, in the words of one of Marianne Moore's poems, "strengthened to live...