Word: director
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Dates: during 1970-1979
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...Congress already concerned with the ending of the session ("What message?" asked a member of Tip O'Neill's staff last week). Many activists were disappointed. "The White House has given us a very good chronicle of exactly where we are right now," says Jane McMichael, executive director of the National Women's Political Caucus. "But it also makes clear how much more remains to be done...
...longer merely the precocious daughter of fabled Mathematician John von Neumann, or just the Radcliffe summa who became the first of several modern women to break into high economic policymaking in Washington. A happy wife and mother of two, Whitman, 43, frames corporate policy as a director of Westinghouse, Procter & Gamble and the Manufacturers Hanover bank, conducts a weekly TV economics program, teaches at the University of Pittsburgh and travels everywhere advising officials on the global economy. Says Whitman: "I've advanced from a freak to a role model so fast that it sometimes leaves me dizzy...
...longtime Tolkien addict himself, Director Ralph Bakshi knew these dangers; he also knew that the task of translating this ring-cycle to the screen had stymied some of the most formidable names in Hollywood, including Walt Disney, and still he plunged ahead. Bakshi brought to this project none of the brass and sass that animated his earlier cartoon features including the X-rated Fritz the Cat and the jive-talking Heavy Traffic. If reverence had wings, his new picture would fly. The fact that it hobbles simply proves again that the road to Mordor is paved with good intentions...
...triumph over what appear to be terminal leg cramps on opening night of her first starring part in a ballet? Can another big crash-bang score by Bill Conti once again drown out a multitude of dramatic sins and carry this picture to the popular heights achieved by Director Avildsen's most recent work, the ineffable Rocky...
There has never been a movie director more doggedly intellectual than Eric Rohmer. When characters get between his sheets, they grapple not with each other but with the conundrums of Pascal or the doctrines of Jansenism; principle and passion clash in all-night discussions. But Rohmer is also one of the wittiest of directors and, defying all the usual rules of film making, he has turned out some of the most delightful movies of the past decade: My Night at Maud's, Claire's Knee, Chloe in the Afternoon and The Marquise of O... In Perceval he goes...