Word: director
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Dates: during 1970-1979
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...futile search for contracts. Says he: "We wouldn't have stayed all this time if we hadn't been encouraged by government bureaucrats who said, 'Be patient, you'll eventually succeed.' " Fed up with meaningless reassurances, Neumaier braced Hiroo Takizawa, the MITI environmental guidance director. Takizawa conceded that Japan intended to protect its own. Said he: "The Japanese government believes that it is very important to nourish Japan's knowledge and technology industries and has been trying to develop its own think tanks." From now on, Neumaier intends to concentrate on expanding his business...
...what director and actor create is a subtly satirical yet never vicious tone that has a delicacy not often found in American films. They can mock the excesses (of behavior and expectations) of a radicalism past while retaining a decent respect for its just social criticisms and youthful idealism. At the same time they can note the inertness of a massively materialistic society without be coming shrill and off-putting about it. In short, there is a welcome and unexpected maturity of outlook in this little film that is extraordinarily attractive no matter where you happened to stand during...
...such is the charm of Moses Wine, and the curiosity of those he encounters in his search, that one does not feel like complaining too heartily about this matter, especially when Dreyfuss and the rest of the cast play so well, and Director Kagan finds so much that is pungent and fresh in that most overused of movie locations, Los Angeles...
...here in fact is one of the ugliest sadomasochistic trips, with heavy homosexual overtones, that our thoroughly nasty movie age has yet produced. Indeed, if the film has any redeeming social value at all, it is to prove that you don't have to be a hairy-chested director of the Sam Peckinpah school to get your kicks on blood and gore. It may also indicate that there are some virtues in the straightforward approach of someone like Peckinpah to violent material. In Midnight Express one imagines the director peering through the viewfinder and murmuring, "Goyaesque," or worse...
...women are mother and daughter, and their combat, on which Director Ingmar Bergman casts a dour and perhaps by now somewhat weary Northern eye, is all the more intense and enduring because it is grounded in love. Charlotte, the mother (formidably played by Ingrid Bergman-no relation to Ingmar-in her first Swedish language film in decades), is a concert pianist, acclaimed and prosperous, sailing grandly into late middle age. Eva, the daughter (Liv Ullmann in granny glasses, with a few lines of graceful weathering allowed to be visible on her ineffable forehead), is a church organist, the wife...