Word: director
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Dates: during 1970-1979
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...present, the most intense speculation focused on the unanswered questions about the assassination itself, now commonly known as the Friday Night Massacre. Nobody disputed the bare facts of the case: Park, along with his chief security officer, Cha Chi Chul, and four bodyguards had been killed by KCIA Director Kim Jae Kyu and five of his men during dinner in a private room of a KCIA building. The alleged assassin and the dinner's sole survivor, Park's presidential chief of staff, Kim Kae Won, were both under arrest, and 30 to 50 KCIA officers had also been...
...forming a government might replace the constitution, or how its abrogation would affect the political fortunes of the two most likely candidates to succeed Park. One was Kim Jong Pil, 53, a National Assembly member who helped organize Park's 1961 coup and who subsequently became the first director of the KCIA; the other was Chung II Kwon, 61, a holdover from the Syngman Rhee government, who served from 1964 to 1970 as Park's Premier...
...seminars. Readers of the Ladies' Home Journal chose Kübler-Ross as one of eleven "women of the decade" for the 1970s. Even the movies are beginning to take account of the phenomenon: Bob Fosse's forthcoming film, All That Jazz, features a death-obsessed dancer-director who turns to Kübler-Ross's works for comfort...
...figures move among its ranks as animating spirits. Opera in Vienna goes back to the early days of the form, when the city's cultivated imperial courts began attracting major composers, starting with Gluck. Today the company can work from scores personally annotated by Strauss and another former director, Gustav Mahler. Such authenticity in itself is no guarantee of quality, but to the performances last week in Washington it added a living spark of history. Washington, as history-minded a city as any in the U.S., responded ardently. Shivering against the predawn chill off the Potomac, buffs began lining...
...Kennedy Center's venturesome executive director, Martin Feinstein, whose previous imports have included La Scala and West Berlin's Deutsche Oper, the Vienna visit turns out to be the final coup of his tenure. Internal conflicts have led the center's board to redefine Feinstein's status as of Nov. 30, retaining him thereafter only in the less powerful role of director of opera and ballet. The impact of this change on future visits by foreign companies is unclear...