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Word: director (lookup in dictionary) (lookup stats)
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...really important life lesson to meet people from different backgrounds,” said West A. Resendes ’12, the director of CODA. “The deaf community is relatively unknown. But the unique experiences of deaf people should be shared with everyone...

Author: By Devon M. Newhouse, CONTRIBUTING WRITER | Title: Deaf Performance Entices the Senses | 2/17/2010 | See Source »

...advice highlight the many missed opportunities for dark humor throughout the show. The production’s sometimes-sluggish pace would have benefited from taking advantage of these wittier moments, rather than downplaying them to focus instead on Li’l Bit’s turbulent maturation. Still, director Tara L. Matkosky goes full throttle by the play’s final scenes, ending the show on a powerful, riveting note...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: B.U.'s 'How I Learned' Driven by Powerful Acting | 2/17/2010 | See Source »

...Tampopo,” by Japanese writer-director Juzo Itami, is a meditation not only on the art of cooking and the pleasures of eating, but also on the link between food and sexuality. Throughout “Tampopo,” food itself is treated as a sort of lover. The film examines these themes in a series of vignettes that supplement the main narrative, which follows an inexperienced restaurant owner named Tampopo on her quest to master the art of making the ramen noodle...

Author: By Michael E. Danto, CONTRIBUTING WRITER | Title: ‘Food at 24 Frames Per Second’ Satisfies a Cinematic Appetite | 2/17/2010 | See Source »

...handcuffs that will remain linked to the controversial arrest of Henry Louis “Skip” Gates, Jr., professor and director of the W.E.B. Du Bois Institute for African and African American Studies, are now part of the new National Museum of African American History and Culture at the Smithsonian...

Author: By Nicolas E. Jofre, CONTRIBUTING WRITER | Title: Gates Donates Handcuffs To Smithsonian | 2/17/2010 | See Source »

...beautiful, bittersweet story. In its simplicity, it’s more touching—a play about the dynamics between a somewhat overbearing but loving mother and her son and daughter, and their interaction with the appearance of the much-awaited gentleman caller,” director Megan E. O’Keefe ’11 says. “Their problems, when reduced, are just about meeting expectations and failing those expectations. And that is similar...

Author: By Vicky Y. L. Ge, CONTRIBUTING WRITER | Title: Preview: THE GLASS MENAGERIE | 2/17/2010 | See Source »

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