Word: directoral
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Dates: during 1990-1999
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Everett assumed his current role of band director in 1971 after many years of musical accomplishment as a bass trombonist with several jazz bands and ensembles, as well as the Bolshoi Ballet, the Boston Pops and the Portland (Maine) Symphony...
...came here to get a deeper understanding of the challenges and opportunities facing the African-American labor movement...I want to learn what the commonalties they have with the situation we face in South Africa," said Ravi Naidoo, Director of the National Labour and Economic Development Institute in Johannesburg...
From November 2-13, the Harvard Film Archive is screening four films by acclaimed Chinese director Zhang Yuan, one of the leaders of the freshest talents of what critics term the "6th Generation Directors." The series will include Seventeen Years, for which he won the award for Best Director at the Venice Film Festival. Zhang will be in attendance at a special screening of Seventeen Years Friday at 8:00 p.m. Zhang would like extend his invitations to all interested students...
...16th century necromancer, Faust damned to hell, Faust saved by the grace of God, Faust as 20th century composer. The latest adaptation of Christopher Marlowe's Dr. Fautus, performed at the Loeb Ex last weekend, added a refreshing sense of vitality and humor to the tried and true theme. Director Cary McClennand '02 admitted that one of his main concerns has been adapting the religious theme for the modern-day audience. He feels that Marlowe's play is "timeless," but found it necessary to remove the few historical references that do occur: "We cut and reorganized the script entirely...
...that Egan's role was carried on the shoulders of another. Throughout the play, Egan remains the most believable. In spite of the attempt to detract from the religious overtones, it would be difficult to not symphatize with Dr. Faustus in his final attempt for redemption. Here, director McClelland '02 divvied up Faustus's last soliloquy to the cast who in some literal and figurative sense stole Fautus's final plea for God. Equally appropriate was McClelland's decision to impart the additional role of Chorus to vigilant Lucifer (Peter Richards '01), giving the Devil the first and final words...