Word: directoral
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Dates: during 2000-2009
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...Director and co-writer Bowers worked at Aardman Films under Nick Park (of Wallace and Gromit glory) and directed Flushed Away, that uneasy alliance of the gnome-artisans at Aardman and the brasher gang at DreamWorks. What both outfits stress is telling stories through characters, and Bowers (along with co-writer Timothy Hyde Harris) breathe a solid emotional life into Toby and Tenma, while adhering to the confines of a kid-oriented feature. The animation style is supple and assured. And if the audience includes any precocious kids like Toby, they'll be diverted by references to Isaac Asimov...
...Writer-director Katherine Dieckmann has supplied a simple narrative thread familiar to all mothers: multitasking. This means that if you're already a mother, watching Motherhood is a little like spending a bad day with your most self-involved self. On this day, Eliza must shop for and give a birthday party for her daughter Clara, who is turning 6, care for her toddler (who, Eliza should be grateful, is always nodding off into a convenient nap) and also find the time to pen an essay about "What Motherhood Means to Me" for a contest she would like...
There is something very disconcerting about the first scenes of “Amelia.” The new Amelia Earhart biopic from director Mira Nair ’79 opens with a soft, hopeful score to accompany Earhart—played with wit and charisma by Hilary Swank—on her first trip across the Atlantic Ocean; the year is 1928, and Earhart’s airplane swoops gently over the vast seascapes and mountains of clouds. In “Amelia,” flying is about freedom and joy, an attitude completely forgotten in our modern...
...flight, but for those of us hampered by FAA regulations, “Amelia” offers an opportunity for the same experience. It is visually sumptuous, easy to understand, and endowed with the simple romanticism of a Capra film that Earhart might have watched herself. With any other director, it might have become a dark and melodramatic Hilary Swank vehicle. And although some will criticize “Amelia” for not being that, perhaps this is just the kind of film we needed right...
...Claudia Goldin, professor of economics and director of the National Bureau of Economics Research’s Development of the American Economy program, comes from “a family of people who are not risk takers,” she said...