Word: directorate
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Dates: during 1960-1969
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...starring Zero Mostel and Gene Wilder. In spirit, the picture is happily reminiscent of the Marx Bros., and it has ten minutes of genius-within-genius under the title Springtime for Hitler, a musical about the Third Reich. Here, working on stage, Brooks is at his best as a director, and achieves the very tricks of timing which elude him on film. His lyrics for the show's title song ("Springtime for Hitler and Germany/Winter for Poland and France/We're marching to a faster pace/Look out, here comes the master race.") deserve enshrinement. But The Producers dies a slow...
...however, have come at the initiative of interested students and faculty rather than from the administration. MAT's have actively sought urban internships and the number of MAT's being trained in the core city schools jumped from four last year to twenty-nine this year. George B. Thomas, director of the Ed School's Center for Field Activities, is supervising a field-study course, which is placing 50 students in groups of six to eight in community agencies throughout Boston. An undetermined number of students are pursuing independent study in the field. According to a summer study by four...
Wiggins stated, "Grapes are not on the menu and will not be on the menu in the foreseeable future." It is unusual for Wiggins to involve himself in food planning; this is generally the province of C. Graham Hurlburt, director of the Food Services Department...
John B. Fox Jr. '59, director of the Office for Graduate and Career Plans, yesterday blasted as "unwise, insensitive, and a serious misappropriation of funds" the severe Congressional cutbacks announced in Fulbright scholarships...
Though The Immortal Story is a French production, it, too, boasts an American director, the prodigious Orson Welles, adapting an Isak Dinesen anecdote. The works of the Scandinavian taleteller resemble rows of icicles, gelid, brittle and pure. To bend them is to break them; to lend them warmth is to make them lose their integrity. Even Welles has been unable to fashion more than a laborious, misshapen exercise. The reasons are obvious. This is his first film in color-an inappropriate mode for a fiction written in etched, formal prose, devoid of the sensual palette. Secondly, because the movie...