Word: directorate
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Dates: during 1960-1969
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...rolls of celebrated sons and daughters heading for films and fame. That mat-chested fellow with the open shirt happens to be Assaf Dayan, 21, son of Israel's superhero, Moshe; the lass wrapped around his waist is Anjelica Huston, 16, Director John's girl. Though they look like a pair of Carnaby Street mannequins, they are starring as lovers in Huston's latest film, A Walk with Love and Death. Assaf has been before the cameras several times in Israel, and it is not likely that Huston will harbor any qualms about working with his daughter...
...seen in TV's Lassie as well as many pictures, went the special Craven Award. This does not mean that Punkin was a craven raven; the prize, which goes to supporting players, honors the late Richard C. Craven, who was the American Humane Association's first Hollywood director. First prizewinner in films was Ben, the bear actor in the movie Gentle Giant...
Died. William R. McAndrew, 53, director of NBC News since 1951, who devised the hugely successful concept of team news coverage (Huntley-Brinkley) and organized a 1,000-man army of network newsmen; of injuries received in a fall; in Bronxville...
...description delights the man who directed the display. Robert J. Braidwood, 60, is an old hand at upsetting his fellow archaeologists. By using modern aerial photographs to give an astronaut's eye view of the ancient world, and placing ancient artifacts in a contemporary setting, the field director of the University of Chicago's "Prehistoric Project" contrives to add unexpected drama to the simple relics he has found in two decades of digging in the hills of Iraq, Iran and Turkey. Scorning what he calls the gravedigger school of archaeology, Braidwood says: "I've never had much...
...soldiers are convincingly unactorish, and the camera watches them well, making dramatic use of focus shifts (the credits list a focus technician as well as a cameraman and a photography director). At 28, British Director Peter Collinson (The Penthouse and Up the Junction), who doubled as co-producer of The Long Day's Dying, has the technical skills of moviemaking well in hand. Time now to concentrate on the intangibles. Like taste...