Word: directors
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...never seen this before," growled a watching Air Force officer. "We're in trouble. We're in trouble. I'm sure we are." The rocket kept soaring until it disappeared from sight out over the Atlantic. But an hour later Program Director Adolph K. Thiel, somber and red-eyed, told waiting newsmen the unhappy news: "We didn't make it. Something happened. We don't know what...
...story-involving an exiled Hungarian nobleman returning to claim his father's estate, a beautiful gypsy maid who is really a princess, a treasure buried on the land of a rich and comic pig farmer -is a typical operetta mixture of farce and romance. Unfortunately, Director Ritchard and his cast could not quite make up their minds whether they were working for laughs or for sentiment. And for reasons best known to himself, Translator Valency had his Hungarians rising in a patriotic revolt against Austrian oppression (the 74-year-old original involved merely a musical-comedy war against Spain...
...billing with the changeable Christine Jorgensen, who taught Diahann how to bow like a lady ("Darling, like so . . ."). At 19 she drew raves as Ottilie (alias Violet), the naive young girl in the Truman Capote-Harold Arlen musical House of Flowers. She also married the show's casting director, Monte...
After countless TV appearances. Diahann landed the role of Clara in Sam Goldwyn's gilded production of Porgy, was horrified when Musical Director Andre Previn permitted her only to mouth the lyrics to Summertime, dubbed in the voice of French-English Songstress Loulie Jean Norman. Explains Previn: "Diahann's voice was a full five tones too low." But Previn also thinks that Diahann has only begun to find her way on that ladder. "When she learns to relax as much on a nightclub floor as in the studio," says he, "she ought to scare people to death...
...best and generally fun, Fiorello! does have its weaknesses: a few flop songs and scenes, and a less lively second act. The show's chief liability is that bane of musicals, love, which-requited or unrequited-can seem banal. Even so, the show's chief asset. Director Abbott's testing everywhere for pace and pep, helps to shorten the doldrums. And for the evening as a whole, the reaction to the Abbott test is decidedly positive...