Word: directors
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Dates: during 1950-1959
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...mounted as the play is, the chances are that it will probably never be performed any better; director Jerome T. Kilty '49 fashioned a show of amazing freshness and vitality. The most striking feature of this production was a complete stylistic consistency, which is the hardest virtue to achieve in a period piece like this. With one exception, every member of the cast down to the tripping maid (Moira Wylie '60) and whirl-wind butler (Robert Jordan '59) captured the proper unified style in both word and gesture...
...next offering, Arthur Miller's Death of a Salesman, had to be held over for an extra week. This eloquent and moving tragedy of the little man is surely the finest serious American play since Eugene O'Neill; and it enjoyed a distinguished performance under a British director, Basil Langton, despite the fact that it is an intensely American work...
Jerome Kilty thrives on challenges and obstacles; and once again he took a thorny classic and turned it into a viable and engrossing theatrical experience. The Merchant of Venice is a good play; but director Kilty made it seem like a great play, and this was no mean feat. One forgot that the play is poorly constructed and rather liberally endowed with passages where Shakespeare definitely nodded...
Robert R. Bowie, Director of the Center for International Affairs, Henry A. Kissenger, Associate Director of the Center for International Affairs, Edward L. Katzenbach, Director of the Harvard Defense Studies Program, and Morton G. White, professor of Philosophy, will represent Harvard during the week-long activities...
...same time, the University announces the appointment of C. Graham Hurlburt to the position of Administrative Assistant to the Director of Dining Halls. Hurlburt was the manager of the Faculty Club...