Word: directors
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Dates: during 1950-1959
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Opera. The New York City Opera, which sandwiches its six-week fall season into the post-Labor Day lull before the Met's opening, was offering one of the most imaginative seasons of its inventive career. For his opening, Director Julius Rudel presented an improbable but highly successful pairing of Igor Stravinsky's austerely stylized Oedipus Rex and Carl Orff's lightly lyrical Carmina Burana, both conducted by Leopold Stokowski. The audience took to the double feature so enthusiastically that an additional performance was scheduled for last week. The season's second big hit: a superb...
...largest newspaper audience of readers under 35 years: some 1,500,000. But in recent months, the Mirror has begun to wonder if, so far as its youthful readers are concerned, it might not have some hardening of the arteries. To Mirror Proprietor Cecil Harmsworth King and Editorial Director Hugh Cudlipp, the recent British elections were the chilling proof...
...many jet-age problems facing the world airline industry, the most pressing is how to find enough passengers to fill all the expensive new planes that will soon be flying. At the 15th annual meeting of the International Air Transport Association in Tokyo last week, Director General Sir William P. Hildred posed the problem, and provided an obvious answer: "We shall have to feed progressively larger gobbets of traffic to these monsters or they will eat us up, capital...
...second act before it explodes into laughter. Then it expires in the third. Playwright Semple cannot solve the author's great problem of getting his people into trouble while staying out of it himself. He is too laborious tying his yarn in knots, too predictable untying it. Amid Director Abe Burrows' sharp whipcracking, there is too much forced wisecracking; amid a great many antics, there is never quite enough...
Gradually the prison assumes the aspect of the world-a world in conspiracy to mock the prisoner's hopes and humble his humanity. The prison director's daughter, a kind of pre-Lolita of coquettish innocence, promises to lead him to freedom but never does; the jailers themselves stage an elaborate comedy only to laugh at his false hopes for escape. His past life emerges as a base and saddening farce-his bastard birth, his sluttish wife, his crippled, oafish children who are not really his. And always there is the maddening Alice-in-Wonderland logic by which...