Word: directors
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Dates: during 1960-1969
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...WILD BUNCH is Director Sam Peckinpah's way of telling the truth while preserving the legend of the West. His bandits, led by William Holden, are drawn by their own peculiar code of honor into a bloody finish that surpasses Bonnie and Clyde for violence...
Died. Edgar R. Baker Jr., 48, vice president and director of corporate development for Time Inc. and the man largely responsible for the success of TIME-LIFE INTERNATIONAL, which directed the company's operations in nearly 100 lands; of acute infectious hepatitis; in Manhattan. Trained in economics, Baker oversaw the development of T.L.I, in its formative years, sent TIME into virtually every non-Communist country, and organized a fortnightly international edition of LIFE for Spanish-speaking people. More recently, as director of corporate development, he helped lead Time Inc. into a variety of new ventures, among them Boston...
...house, with a resident but minimal ballet company to help out where needed. In 1960 John Cranko, then a 33-year-old South Africa-born staff choreographer of the Royal Ballet, staged Benjamin Britten's The Prince of the Pagodas in Stuttgart. He was immediately engaged as ballet director, with a mandate to build a company of international quality...
...evening-long interpretation of Pushkin's intensely romantic verse-drama Eugene Onegin. Two nights later, the company presented an even more stunning tour deforce, a balletic version of Shakespeare's Taming of the Shrew. Both were lavishly mounted, eye-filling pieces. Onegin uses a score by Music Director Kurt-Heinz Stolze based on short pieces by Tchaikovsky. The work moves quickly and assuredly through Pushkin's tale of romance and betrayal, never assuming the luxury of a dance-for-dance's-sake diversion, bending every movement toward dramatic ends. Shrew, with music by Domenico Scarlatti arranged...
...ideological inspiration. It is a quiet, sentimental little love story that happens to be set against a university background, a sort of La Chinoise for squares. When a French graduate student (Thalie Fruges) goes to bed with her professor boyfriend (Vit Olmer) for the first time, Director Yves Ciampi actually cuts to an exterior long shot of the light being turned out in the garret -a graceful, old-fashioned touch that is fairly typical of the entire film. Activists will be angry that Ciampi is obviously more interested in passion than politics, since he uses last spring's political...