Word: directors
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Dates: during 1960-1969
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Holy Cross ended its football schedule prematurely yesterday. The 75-member squad, four managers, seven coaches, the trainer, and the director of sports information are all infected with hepatitis...
...vain attempt to make a movie out of all this, Director Tom Gries inserts dozens of pauses between the clichés, some seemingly as long as a half time ceremony. Charlton Heston brings his usual Pleistocene presence to the part of Cat, presumably granted him because his rain-barrel chest wouldn't look scrawny in the locker-room scenes, but everyone else stands around looking sort of embarrassed. The last tackle comes as a welcome relief, as Heston and the film fall one final time to the gridiron with a resounding thud...
...were to steal from any filmmaker, Downey would take from Preston Sturges, the American director whose Sullivan's Travels and Hail, the Conquering Hero are full of the kind of zaniness that abounds in Swope . Other favorite movies of Downey's are Varda's Le Bouheur, Losey's Servant, Titicut Follies, Citizen Kane, the Marx Brothers/Sam Wood's Night at the Opera, Kazan's On the Waterfront, Teshigahara's Woman in the Dunes, and Truffaut's Jules...
Ronald E. Vanelli 41, director of the chemical laboratories, said the current reduction would injure the Chemistry Department "even more than last year." He added, "We will try to spread the cut out among all the research, and try to do it equitably...
Baillie's earlier films give a strong sense of internal progress, of work done, despite their non-dramatic form. Pieces like On Sundays, The Gymnasts, and Have You Ever Thought of Talking to the Director ? are unified by the experiences of a central character, whom Baillie uses to explore oppressive physical realities. His basic themes reach their fullest elaboration in his epic films To Parsifal and Mass, and each succeeding work derives its direction and energy from these two productions. In Quixote. the last of his epics, a barbaric technology proves too overpowering, and the sheer visual weight of double...