Word: directors
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Dates: during 1960-1969
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...Clarke Cabot Professor of Social Ethics; Anthony C. Oettinger 51, professor of Linguistics and Gordon McKay Professor of Applied Mathematics; Donald P. Warwick, lecturer on Social Relations; John Womac Jr. '59, assistant professor of History: I, Bernard Cohen '37, professor of the History of Science, and Edward L. Pattullo, director of the Center for Behavioral Sciences...
Coleman first suggested the idea of a record about Harvard football when he and Harvard's director of sports information. Baaron I. Pittenger, were traveling to Princeton for the football game last Fall. The original idea was for the record to contain highlights of ten great Crimson football games...
...prime or back-up crews of the next 3 Apollo missions, while several test pilot astronauts, among them aging Alan Shepard, have been slated for their second, third or even fourth space flights. Four of the 17 scientists in this program have quit, and so have the director of science at the Manned Spacecraft Center, the chief scientist in the Office of Lunar Explorations and the curator of the Lunar Receiving Laboratory...
...wartime situation allows Rossellini sequences in bombed-out Milan, scenes in prison cells, even montages using newsreels of bombing raids. But it's his visual style more than his settings that makes General della Rovere profoundly realistic. Another director might take the space of a certain scene as a fixed reality, and hold his camera in a long deep-focus shot while dramatic action takes place nearer or farther from the camera. Rossellini's spaces are no less real, but he reveals the truth of a scene by following the characters with his camera, strengthening certain actions by showing them...
...that Rossellini does not use his camera to heighten dramatic moments. But his means at such times lead him away from abstract, formal stylization, where another director would change the lighting or choose a portentous camera angle for emotional emphasis. At one point de Sica, fresh from the torture room, is dragged back to his cell by two guards. A fellow prisoner walks by him away from the camera, then turns to stare. The camera zooms with unbelievable rapidity or rather, jolts-into his face, and zooms out to a long shot as the man begins running to cells, banging...