Word: directors
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Dates: during 1970-1979
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...reasons Justin was chosen was because the interview made clear that he has a very good relationship with his real father, Cliff Henry, a portfolio manager for J.C. Penney. Another was that he had never acted before. Explains Director Robert Benton: "We didn't want anyone with bad habits." Still, after seeing the movie, audiences may be excused if they think he was born before the cameras, so true and so good is his performance...
...Justin was known as the "little director," because he was so curious about how and why things were being done. "I know all about wardrobes and what it's like to be a movie star, but the glamour isn't as good as it looks," he says with appropriate cynicism. "It can be very boring, you know. I don't think I'd like to act full time. There just isn't enough time to see your friends," His real ambition, he confesses, is to have a farm in Colorado with his friends...
...plot does not follow the facts of his life, of course, but many parts of Ted Kramer have been consciously modeled on the actor. "We wanted Dustin to draw on his own volatile, engaging personality in creating the character," says Director Robert Benton. "We tape-recorded our talks and took endless notes on his language. Everything was carefully worked out." If Kramer is brash, egocentric and often obnoxious, so too is Hoffman. If Kramer is tender, loving and often vulnerable, then Hoffman is as well. Like Diane Keaton in Annie Hall, he has turned the screen into a mirror...
Meryl Streep could obviously have made it to the screen on looks alone. Says Director Michael Cimino, who worked with her on The Deer Hunter: "The camera embraces her." Lucky camera. Many women would kill for her slender, fashion-model figure, for that ash-blond hair, oval face, porcelain skin and those high, exquisite cheekbones. Her eyes mirror intelligence; their pale blue sparkle demands a new adjective: merulean. Only a slight bump down the plane of her long, patrician nose redeems her profile from perfection...
...Taming of the Shrew), Chekhov (The Cherry Orchard) and Brecht-Weill (Happy End), as well as in works by Arthur Miller and Tennessee Williams. This repertory training came to Meryl because she was ready for it; her education went on in public, but critics and audiences did the learning. Director Arvin Brown expresses what threatens to become a bromide when he calls her "the most talented actress of her generation...