Word: directors
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Dates: during 1980-1989
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...every $1 of equity. Some analysts say that next year, with the opening of Trump's Taj Mahal, two of the weaker casinos may go under. "If they can't fend for themselves, how can they possibly meet the greater social goal of an urban renaissance?" asks Anthony Parrillo, director of New Jersey's division of gaming enforcement...
...executive director of the Plaza, Jonathan Benanav, calls the aesthetic principle behind casinos "sensory bombardment." He puts it this way: "Feel? It feels good to be here. Taste? Well, there are two ways to look at that. No. 1, Trump has great taste. No. 2, we have great food facilities. Touch? You're touching money. You're touching luxury. You're touching the marble. You're touching the granite. You're touching the beautiful brass. You'll see in the suites. We have gold leaf up there...
Some of the losers wind up at the Atlantic City Rescue Mission. Its population has included an Egyptian mathematician, a scholar from Hong Kong and a retired Israeli brigadier general who was a well-to-do appliance distributor in Jerusalem. William Southrey, the mission's director of ministries, once picked up a hitchhiker who turned out to be his old high school teacher and coach...
...curious destiny as a metaphysical place on the edge of ordinary life. "It's the end of the railroad line. It's the end of the bus line. It's the end of the airline. It's the end of the expressway," says Barry Durman, the mission's director. "Once you get here, where...
...Nazi-threatened Berlin of the 1920s, but the libretto that he wrote for Kurt Weill's most ambitious opera, The Rise and Fall of the City of Mahagonny (1930), seems to be set on a wildly imaginary Florida Gold Coast. But to Jonathan Miller, the gifted British director who was commissioned to stage a new Mahagonny at the enterprising, young Los Angeles Music Center Opera, there could be only one locale. "Hollywood," he said before last week's opening night, "seemed to be a living metaphor...