Word: directors
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Dates: during 1990-1999
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...couplet. Says Weinstein: "It's a genius movie. Could it be streamlined? Yeah, and it could be more accessible as a result of cutting. But Miyazaki is like Kurosawa or Sergio Leone--one of the greats of international cinema. The very idea of cutting is anathema to a director of this importance...
...Burton will not let you go so easy into that dark night. The director wants to turn this fairy tale into a full-blooded ghost story--and a total Tim Burton experience. So for this end-of-the-century parable (it's set in 1799), he imports the bats from Batman, the jack-o'-lantern from Nightmare Before Christmas and, as Ichabod Crane, Johnny Depp from Edward Scissorhands and Ed Wood. Instead of the bright Halloween hues of the Disney version, Burton gives his film a swankly, dankly desaturated color scheme. And just to make sure he doesn...
...authentic, keep it modest, keep it hopping. That's what happens in Tumbleweeds; that's what doesn't happen in Anywhere but Here. If you follow the form charts, it should have been otherwise. The latter film has the big stars (Susan Sarandon and Natalie Portman), the name creators (director Wayne Wang of The Joy Luck Club; writer Alvin Sargent, adapting the best-selling novel by Mona Simpson), a capacious budget. What it doesn't have is a central figure you can give a hoot about...
...journey west, struggle much more realistically for survival in Tumbleweeds. Mary Jo is fleeing an abusive marriage (her fourth), but can't quite escape her taste for sexy, damaged guys. In a film that moves with an easy, unforced pace, she settles in with a truck driver (played by director and co-writer Gavin O'Connor) who's good in bed but damply insistent on clockwork routine outside it. She has a job that matches her relationship--too much filing--and a daughter who fills her good-to-bursting heart...
...foreword to the published script of The Rainmaker, playwright N. Richard Nash advises, "It must never be forgotten that it is a romance, never for an instant by the director, the actors, the scenic designer or the least-sung usher in the Forrest Theatre in Philadelphia." I can't vouch for the ushers at the Brooks Atkinson Theatre in New York City, who are no less surly than usual, but mostly this Broadway revival gets into the right spirit. The set, a swath of brown prairie dominated by an expanse of blue sky, seems ready at any moment to disgorge...