Word: directors
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Dates: during 2000-2009
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HSPH conducted the poll because “there were media reports about shortages” and the research team “also wanted to see how frustrated people were,” according to HSPH researcher and study co-director Gillian K. SteelFisher...
...Director David S. Rosenthal ’59 emphasized that UHS was following the procedures prescribed...
...Saturday’s performance, Thomas Everett, Director of Bands at Harvard, paid homage to Ho’s unique sound, likening him to other jazz greats whose personalities and musical voices were inseparable. “You heard one note—Lester Young—and that was his voice,” Everett declared. “I hear the same thing in Fred’s baritone.” Ho’s playing is aggressive, sharp, often filled with wailing shrieks and guttural burps, but it always remains expansive and lyrical...
...produce a truly unconventional piece, Ho worked with director and choreographer Daniel Jáquez (who graduated from the A.R.T. Institute in 2000) and incorporated student dancers into the performance. Jáquez is one of many artists who have been influenced by Ho’s strong personality. He describes the process of choreographing the show as a quest guided by Ho’s desire for liberation. “It wasn’t like each dance was unusual, but we found the bizarreness of the dance in releasing the dancers’ strength, in trying...
...feeling that BachSoc is bound by camaraderie, not by didactic force. Everyone teaches and learns at the same time. Of course Yuga [J. Cohler ’11, music director] is a leader, but he’s very receptive to the feedback of the others. People are there not to compete but to experiment and to explore the boundaries of their musicality. They’re always striving to improve themselves under their own terms. Alan Gilbert [’89], the new conductor of the New York Philharmonic, is a family friend, and he conducted BachSoc...