Word: directors
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Dates: during 2000-2009
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Normally, the event, which began in the spring of 2007 and invites American beer companies to showcase their newest brews, draws about 50 undergraduate and graduate students, said Tom Southworth, director of ordering and selecting beers...
...Museum is excited to offer its visitors the opportunity to immerse themselves in an exhibit that bridges both cultures and generations," said Ioannis Miaoulis, president and director of the Museum of Science, Boston, in a statement issued by the museum. According to Miaoulis, he hoped the exhibition would attract visitors of all ages, especially those who have not stepped foot in a science museum before. "It is our hope that the exhibit will lead visitors to experience the excitement of discovery that’s at the heart of all that we do at the Museum of Science," he said...
...that goal. Ellroy explores the time period at length and ends up creating a fictionalized world behind real events, depicting the fallout from Martin Luther King Jr.’s death, the election of President Nixon, the presence and fear of communism, and the eventual death of FBI director J. Edgar Hoover from a more cynical perspective than the history books. His account of the era orients the readers in the plot and leaves them with a true sense of the anger, both righteous and profane, that highlighted the period. Ellroy’s distinctive style?...
...First of all, you have to think about religious traditions as cultural phenomenon embedded in context—social and political and literary and artistic,” says Professor Ali S. Asani, professor of Indo-Muslim and Islamic Religion and Cultures and Associate Director of Prince Alwaleed bin Talal Islamic Studies Program. “Great works of Christian secular music are tied closely to piety. We are used to thinking about religion in theological forms. Religion is such a complex phenomenon that religious discourse can be found in many other forms. Muslims in the Islamic world...
...Ortega seems intent upon illuminating Jackson’s subtleties in “This Is It,” it’s because the director is all too familiar with Jackson’s creative process, having worked with Jackson on his last two world tours. Ortega utilizes split screens to show the barely discernible variations of Jackson’s dancing, jerkily grooving to the same song on three different occasions. He often focuses on his facial expressions—a tense grimace taking shape when something doesn’t sit right with...