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Though originally conceived as a direct portrayal of Asian-American experience—the first show being partly set in San Francisco’s Chinatown—Identities has developed a different relationship with this community in the past two years. Another creative director Jane Chun ’12, a Crimson magazine comper, says she partly used fashion to respond to the current social, political, and economic climate. “Why do women want to dress this way? Why are certain trends occurring? These greater questions extend from fashion to a much larger stage. Yes, fashion...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

...Theater Company, and the Institute of Contemporary Art/Boston (ICA), will premiere from Friday, May 14, to Sunday, May 16. This is a new venture for the three companies, all of which have undergone important changes in the past three years; the A.R.T. and the Huntington have welcomed new artistic directors, and the ICA has only recently added theatrical performance to their agenda. David J. Henry, the ICA’s Director of Public Programs, says, “We’re hoping to be able to generate some energy in Boston for new theater...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Festivals Celebrate Emerging Playwrights | 4/20/2010 | See Source »

...they want you, they’ll want what you’ve got,” stealth marketer KC (Lauren Hutton) counsels her employee (David Duchovny) in “The Joneses.” In this commentary on modern American consumerism, director Derrick Borte explores the consequences of taking this advice to the limit. The film, graced with an original premise, a talented and well-cast group of actors, and a clever, well-paced script manages to be ironically funny, genuinely touching, and disturbing all at once. Borte critiques American society, but avoids heavy cynicism by allowing characters...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: The Joneses | 4/20/2010 | See Source »

...after Stanley Kubrick’s death, it would appear that the waterfall continues to trickle: Scarlett Johansson and Sam Rockwell have been cast in “Lunatic at Large,” a psychological thriller that Kubrick commissioned in the late 1950s. Although the script lacks a director or a contract with a studio, the attachment of the two actors to the film is strong evidence that it may actually be produced...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

...unfinished films: it was written 50 years ago. The noir conventions that Kubrick would have played upon seemed trendy and cutting-edge then; to shoot a film like that today is a bold stylistic affectation that would undoubtedly dominate the audience’s attention. Even if the director of “Lunatic” decides to avoid the flashiness of noir cinematography, the piece is still set in 1956, and Hobbs and the production team have decided not to rewrite it. There is no good solution to the dilemma of when to set the film?...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Leave the Resurrections to Christ: Kubrick’s Potential Disaster | 4/20/2010 | See Source »

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