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...it’s ridiculous for the government to prioritize protecting children from the perils of the “Grand Theft Auto” world. Ever since the tragic school shooting at Columbine High School, media pundits and politicians have tried to illustrate how video games have a direct impact on children’s behavior. While the narrative makes for a compelling segment on the local news—and provides a reason and a target for a traumatized nation—it’s false and truly damaging. The physical evidence that links video game usage...
...third quarter, he came in for a direct snap to freshman tailback Gino Gordon. In the fourth, he picked up four yards on a first-and-goal from the 5. Although he failed to get into the endzone on his next carry and the Crimson eventually fell one inch short of the goal line, Murphy believes his quickness and mobility may be a real asset to the squad...
...been bigger than they were. Eager to work with Woody Allen, George signed up for Small Time Crooks, where he was in exactly one scene. (Even there he was hard to spot: viewers got a good look at his left ear but not much else.) I'd love to direct you to the DVD or VHS of The Adams Chronicles, but that doesn't exist. Nor were his performances in all those Albee productions, or his 1963 Hamlet for Tyrone Guthrie, recorded for posterity. As the 19th-century tragedian Edwin Booth said, stage acting was "sculpting in snow." The imposing...
...original movie, with Charles Grodin as the heartbreaker (here called Lenny), Jeannie Berlin as Lila and Cybill Shepherd as the adored Kelly, was a more direct parable of ambition for mobility - upward mobility. Lenny and Lila were identifiably Jewish, including the crushed glass at the wedding and the honeymoon at a Miami Beach hotel. Lila's worst crimes are eating candy bars in bed and whining, which is understandable, considering that her husband has abandoned her three days into their marriage. Kelly is the blond shiksa dreamgirl (closer to the remake's Lila than to the fair-haired Miranda), whose...
When a director says her play is about “The Gay Holocaust,” it’s tough to know exactly what the audience is in for. Rachel E. Flynn ‘09, a comparative study of religion concentrator from Quincy House, is directing Martin Sherman’s 1979 play, “BENT,” which will run from October 5-13 in the Loeb Experimental Theater. BENT follows the life of a gay couple during the Holocaust, focusing on everything from the hilarious foibles of romance to the chilling reality...