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HUDS Director for Marketing and Communications Crista Martin said that the switch had been in discussion for years, and was not a direct result of the petition...
...theater, these inputs are lighting, music, and the like.” His view of music as an “input” has enabled him to give the position of “music director” a whole new meaning. For Musico, musical direction entails more than merely assembling and rehearsing an orchestra. He treats the job as a means of helping performers to reach their acting potential. By controlling the musical inputs, he is able to tease a specific emotional response out of performers. “There are deliberate music choices that can take...
...TENET: Well, I didn't know his name, no. I mean, I know a lot about Curveball. So, you know, we're working throughout this period. We're trying to get direct access to him, and we can't have direct access to him? But so you've got this, you know, indirect access, analysts doing the validation, lots of what he was saying made sense? The implication, of course, as you look at this, is this an organization in some sort of meltdown or something? Well, no, because the whole ethos of the place is report what...
...without federal interference or oversight. He politicked hard and heartily with his old Washington friends for favorable tariff rulings, and in the process maintained Hollywood's status as one of the few national cinemas not subject to government censorship. (It's also one of the few to receive no direct government subsidies for film production, so I guess that's a fair swap...
After assembling a selection of short Beckett plays last spring, Daniel J. Wilner ’07, a veteran actor, is ready to direct his first full-length play, Edward Albee’s Pulitzer Prize-winning “Who’s Afraid of Virginia Woolf?” which is opening at the Loeb Ex this weekend. As if that wasn’t demanding enough, Wilner, a philosophy concentrator, also chose to write a senior thesis. "In a way, it was really useful to do both at once. It got a little hectic juggling rehearsal...