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Such self-protective quasi candor is a characteristic of all political autobi ographies; Mrs. Meir's memory is no worse than the next leader's. What dis figures her book is an unbecoming - and unfamiliar - reticence, coupled with an artificial folksy tone. Her recollections too often sound like Molly Goldberg with portfolio, handing out 40,000 recipes for chicken soup on a U.S. visit or brewing 4 a.m. tea for herself and her bodyguards in the prime ministerial kitchen. More important, revelations that might have been expected have been dodged...

Author: /time Magazine | Title: Books: Circle of One | 11/24/1975 | See Source »

...buildings were symbols of official ego, but also were intended as public dis play. They were designed for a self-confident bourgeoisie convinced it had inherited the earth. The decorations, the swags and massive vaults, the palatial baroque of the Beaux-Arts - all conspired to suggest to those who used the buildings that, in Drexler's words, "they were the reason for the Republic...

Author: /time Magazine | Title: Art: Functional Fantasy | 11/10/1975 | See Source »

...complaining rejected client. "They just don't hand out money." And the truth must come for the welfare applicant, in the form of notarized letters. A guy who looks like Broderick Crawford, only beaten, pulls forms out of several different pockets, "I can show you so much stuff...dis, dat...I can show you names, red numbers...somethin's awful funny here...doesn't meet...

Author: By Gregory F. Lawless, | Title: Watching the Camera | 9/24/1975 | See Source »

...Mexico and Nevada - but Brooks' notion of staging a scene is to plant the actors in the middle of the frame and have them talk. The dialogue is not worth such attention. Coburn is called on to describe Hackman as "the cham pion of dumb animals, women in dis tress and lost causes." Candice Bergen points out to the hotheaded Jan-Michael Vincent (the kid looking to make a reputation) that "killin' someone don't make you a man." Brooks occasionally offers some comic relief (Whore...

Author: /time Magazine | Title: Cinema: Dumdum | 7/21/1975 | See Source »

Silver Showers. To prove this point, Matthiessen writes the novel (his fifth) as if he were on board the Eden and living on short rations. Every fictional resource is jettisoned except snippets of descriptive prose and huge chunks of West Indian pidgin dialect ("Dis de oniest place I ever see bonita on de inside of de reef"). He does not even allow himself access to his characters' thoughts. As far as this novel is concerned, they are what they...

Author: /time Magazine | Title: Books: Sea Changes | 5/26/1975 | See Source »

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