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...Herr Hitler did not begin by talking peace. In fact for almost an hour of his 80-minute address-a loosely knit discussion with few of the great dramatic lifts that characterized the Führer's oratory before he began to discard his street-corner style in favor of what he considers the more statesmanlike fashion-he talked about almost everything except peace. Germans and colored folk like their sermons long and discursive, and, in spite of a disordered world's need for straight plain talk, that is the way the Germans are still getting them from...

Author: /time Magazine | Title: INTERNATIONAL: Last Statement | 10/16/1939 | See Source »

...Mills that manufacture brown paper obtain a black liquor from which chemicals can be recovered. Mills (like Marathon) that manufacture fine paper discard sulphite liquor...

Author: /time Magazine | Title: MANUFACTURING: Ex-Nuisance | 7/31/1939 | See Source »

...Blend the wage scale with a profit-sharing differential and the same human being who was previously concentrating his attention on wages will discard the combative spirit-his self-preservation instinct previously centred only on a flat wage scale will cease...

Author: /time Magazine | Title: Business & Finance: Capital's Partners | 6/26/1939 | See Source »

Actually--and unfortunately--there is no question of "inviting ourselves" into anything. The alternatives are not isolation and war. For those with eyes to see, the evidence that America cannot be isolated is overwhelmingly convincing. Were it possible to discard the psychological element, the inevitable unncutrality of thinking, it would not be politically possible to crect the foreign trade controls, the internal industrial and agricultural management, and the price fixing, that would be necessary to prevent our economic system from involving us in the conflict. It is not "war mongering," as Hitler and American isolationists insist, for the President...

Author: NO WRITER ATTRIBUTED | Title: CHOOSE YOUR WEAPONS | 4/13/1939 | See Source »

...hands in pocket at the lower left and the pugnacious face at top-center are marvels of characterization. In that native young animal, "Sitting Burro," Mr. Rubenstein expresses the height of his ability to characterize in a few, sure lines. His pen sketches show extreme accuracy. Rarely does he discard a stroke. Instead of water colors, he favors the use of gouache which gives his figures greater substance. Mr. Rubenstein's skill in drawing is best in his charcoal, "Jimmy," and in "Miner's Daughter," the prized of the exhibition...

Author: NO WRITER ATTRIBUTED | Title: Collections & Critiques | 3/21/1939 | See Source »

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