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...typical of his style: "You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signs-the slightly feline outline of a cheekbone, the slenderness of a downy limb, and other indices which despair and shame and tears of tenderness forbid me to tabulate-the deadly little demon among the wholesome children; she stands unrecognized by them and unconscious herself...

Author: /time Magazine | Title: Books: To the End of Night | 9/1/1958 | See Source »

...layman, there appears to be only one choice: Should he put his faith in Edward Teller, the "father of the H-bomb," or in Linus Pauling or Edward Condon, two scientists who have so long leaned toward the left (politically) that they are no longer able to discern what is right (militarily or morally)? I prefer to trust my nuclear future to Dr. Teller...

Author: /time Magazine | Title: Letters, Apr. 28, 1958 | 4/28/1958 | See Source »

...round-faced Jim Cox was one of the higher vertebrates in a generation of publishers that included such well-spined warriors as William Randolph Hearst, Joseph Pulitzer and Colonel Robert McCormick. As a journalist, he practiced his preachment that newspapers "should tell the truth as only intellectual honesty can discern the truth." As a politician, Democrat Cox was also notable for intellectual honesty. And he almost achieved the classic American cycle: born on a log-cabin farm, he got to be a Congressman and Ohio's governor; he was his party's presidential candidate...

Author: /time Magazine | Title: The Press: Fighting Jimmy | 7/29/1957 | See Source »

...Unfortunately, her vision of "Luke" has been choked by the tedious semi-genteel mannerism of her situation. As a result, this new story has almost none of the lure of "Winter Term" or the intensity of "The Riding Lesson." Just why it was given a prize is hard to discern, since it is not Miss Bingham's best, nor the best in the Advocate...

Author: By Christopher Jencks, | Title: The Advocate | 6/4/1957 | See Source »

...exactly what the film means beyond "Isn't this a hell of a world" is hard to discern. Surely it points toward an assertion of freedom--man stripped bare of all sham, superstition, pride, and being forced to make decisions, and that the ways of fate and of the human psyche are unknowable and unpredictable. Yet the conclusion seems to proclaim a sort of human brotherhood that is partially alien to Satrian existentialism. On the other hand, it is quite possible the Satre views these two lonely people who find one another as asserting the same sort of freedom...

Author: By Gerald E. Bunker, | Title: The Proud and the Beautiful | 3/15/1957 | See Source »

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