Word: disco
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...Thanks Mr. Secretary, but stick to your day job." The SYDNEY MORNING HERALD, in a headline commenting on U.S. Secretary of State Colin Powell's performance of the disco hit Y.M.C.A. on the closing day of last week's asean meeting in Jakarta
...first visits here, on holiday (not vacation!) were no less mythic than these imagined landscapes. I spent my time strolling around the secretive gardens of Westminster, pressing my camera against the iron of Buckingham Palace, throwing my lanky frame around an exorbitant mega-disco, spinning dumbly at the continuous vroom of oblivious Ferraris. A few years ago, staring despondently across Kensington Gardens through a late spring haze, I found myself looking into the far reaches of the old, overgrown empire—fertile Punjab farms, the plains of Kenya, the plantations of Virginia. The finished postcard canvas was cold...
Sometimes, the lessons backfire. Rehearsing for last week's disco night, Barrino was ready to perform the Emotions' Best of My Love. Vocal coach Debra Byrd, musical director Michael Orland and co-executive producer Nigel Lythgoe felt the song didn't showcase her well enough. "I'm just not sure what you'll gain from singing it," said Lythgoe. Instead, Byrd handed Barrino Holding Out for a Hero, the Bonnie Tyler anthem from Footloose. "That's the kind of song that gets you votes," said Lythgoe. It's easy to see why they felt that way: the song is dramatic...
Strange Tentfellows Muammar Gaddafi was the Saddam Hussein of his day; America's Public Enemy No. 1. Ronald Reagan sent jets to bomb his compound in 1986 after Libyan agents blew up a Berlin disco popular with U.S. soldiers. Gaddafi's regime sold arms to the I.R.A., brought down Pan Am 103 over Lockerbie in 1988, killed an unarmed policewoman with a blast of machine gun fire from its London embassy, and still supports Robert Mugabe's despotism in Zimbabwe. So seeing Tony Blair shake Gaddafi's hand last week in a ceremonial tent near Tripoli was a head-snapping...
...ever get beyond the disco thrash, you'll discover that the lyrics are frequently quite clever. Jacqueline is about an older man realizing that a younger girl is out of bounds, Michael is a sad bit of homoeroticism, and Tell Her Tonight gets at the fumbling language of infatuation ("Only watched her walk but she so is/Only heard her talk but she so is"). Franz Ferdinand isn't out to make poetry; these musicians are out to make you move your feet, and their giddy soul is revealed in every trick they use to get the job done. Pace shifts...