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Smith’s discography??s slow movement towards over-production (or perhaps, brilliantly, production) which reached its peak with Figure 8 has been tempered here, and the results are sparkling. Songs like the opening “Coast to Coast” and “Don’t Go Down” are built on spines of distorted guitars and compressed, reverb-drenched drums and resonate with the album’s recurring sense of space and expansion, which, though in stark contrast to the linen-closet intimacy of his earlier releases, still make...

Author: NO WRITER ATTRIBUTED | Title: REVIEW OF THE WEEK | 10/22/2004 | See Source »

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