Word: discos
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Dates: during 1980-1989
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...World War II, the young are bent on having fun in all the ways taught by Western movies, visitors and foreign radio broadcasts. In and around Moscow last week, youngsters were boardsailing, skateboarding and hang gliding; practicing yoga, karate, kung fu and fad diets; exchanging Bruce Lee posters; disco dancing; listening to tapes of Diana Ross and ABBA; and going to see Dustin Hoffman in Kramer vs. Kramer and Jane Fonda in The China Syndrome, two of several U.S. movies playing in Moscow...
...styles, to writing and playing without Jones, to using the small army of part-time musicians they began carting around, and to making music which was no longer startling but was till by and large the best the genre had to offer. As a American listeners distracted themselves with disco, reggae, and new wave, the Stones decided to keep up rather than call it quits. There was something a little silly about the group that had redefined rock and roll 10 years earlier stringing itself along from year to year with a mix-and-match repertoire, but the Stones knew...
...also a wandering husband. Sly made the Manhattan disco scene and had a couple of well-publicized romances, with Joyce Ingalls, his Paradise Alley costar, and Actress-Singer Susan Anton. "Stallone is one of those eccentric, powerful and vulnerable males I've always adored," says Shire. "I think he was born sweet and spent most of his life repressing that. It's only recently, with Sasha's help, that he's decided to show...
...Though an appealing character, Paul must speak lines that seem as original as the movie's premise. Walking down the back streets of L.A. with Creed and Rocky, he says, "Rats even have more pride than to be caught dead here." When Creed insists that Rocky jump rope to disco music. Paul complains, "Rockey can't train like a colored fighter. He ain't got no rhythm...
DIED. Neil Bogart, 39, maverick entertainment mogul whose "ear for the street" made him a millionaire catalyst of the disco-music craze; of cancer; in Los Angeles. Bogart at 27 first corralled the teeny-bopper record market with "bubblegum" music like the indigestible Yummy Yummy Yummy ("I've got love in my tummy"). With his sure instinct for slick commercialization, he was a key shaper of the success of such pop singers and groups as Donna Summer, Mac Davis, the Village People and Kiss. An occasional co-producer of expertly hyped movies as well (Midnight Express, The Deep), Bogart...